Decorative pieces and jewellery in transparent epoxy resin
Decorative pieces and jewellery in transparent epoxy resin

Materials for encapsulation and decoration: resins, moulds and pigments

Resin encapsulation and the making of decorative pieces share the same logic: first you choose the right resin based on the transparency, thickness and finish you're looking for; then you add colour or inclusions — flowers, metals, crystals, pearlescent pigments; and finally you take care of demoulding and polishing to achieve that glass-like appearance. At Feroca you'll find transparent epoxy resins in different viscosities, ready-to-use silicone moulds, specific pigments and all the accessories you need to take a decorative project from idea to finished piece.

Transparent epoxy resins for encapsulation

Epoxy resin is the go-to material when you need transparency, hardness and long-term stability. Depending on your project you'll choose one formulation or another: there are low-viscosity resins for thin pours and jewellery, high-thickness resins for blocks and tables, and fast-cure versions when time is a key factor.

Encapsulation of jewellery and small pieces

For jewellery, costume jewellery and small decorative objects you need a resin with excellent optical clarity, good self-levelling and the least possible heat generation during curing. These two products are the most widely used in this segment:

High-thickness encapsulation and decorative tables

When your project requires pours of several centimetres — sculptural blocks, river tables, large-format encapsulations — you need a resin formulated to dissipate reaction heat without generating internal stresses or yellowing. ClearWater Deep Pour is designed exactly for this:

Doming: the resin drop

Doming involves depositing a convex layer of resin onto a flat surface — labels, badges, printed jewellery — to achieve that characteristic domed, glossy finish. There are two variants depending on the final result you're after:

Note on food-safe resin: If the decorative object will come into contact with food — trays, chocolate moulds, kitchen surfaces — use EpoFood, the only colourless epoxy resin in our range certified for food contact.

Silicone with water, ice and crystal effect

For decorative scenes that simulate still water, ice or glassy surfaces, transparent platinum silicones offer a flexibility that rigid resin cannot provide: they can be bent, cut and repositioned without breaking. They are especially popular in dioramas, window displays and product photography.

Silicone moulds for decorative pieces

If you're going to produce pieces in series — candleholders, plant pots, boxes, plates — ready-to-use platinum silicone moulds let you start pouring without having to make the mould from scratch. They are compatible with epoxy, acrylic and polyurethane resins, and don't require release agent.

If you need a custom-shaped mould, you can make it yourself with platinum silicones from our range. For decorative pieces with simple geometry, EASYPLAT MOLD-40 is a good starting option; for more complex geometries or undercuts, EASYPLAT 00-30 offers the softness needed to demould without damaging the piece.

Pigments and dyes for decorative resins

Colour is a fundamental part of any decorative piece. At Feroca you have three families of dyes depending on the effect you're looking for: opaque pigments for solid colours, translucent dyes to maintain the depth of the resin, and pearlescent or metallic pigments for shimmer and lustre effects.

Solid and opaque colours

Translucent colours and alcohol inks

Metallic, pearlescent and glitter effects

Decorative inclusions: crystals and spheres

Inclusions are one of the most valued resources in decorative resin: dried flowers, metals, sheets and also crystal elements that, when trapped in the mass, create unique depth and refraction effects. You can sand and polish them together with the resin to achieve completely flush, glossy surfaces.

Finishing and polishing resin pieces

Once the piece is demoulded, the surface finish makes the difference between an amateur result and a professional one. The usual process involves progressively sanding with wet-and-dry paper (from grit 400 to 2000) and finishing with polishing compounds that restore the mirror shine to the resin.

To clean tools, mixing cups and moulds before the resin fully cures, use Epoxi Cleaner. Once the resin has gelled, mechanical cleaning is the only effective option.

Comparison table of epoxy resins for decoration

Resin Maximum thickness Mix ratio (A:B by weight) Working time Main use
ClearWater Epoxi Up to ~1 cm 100:100 30 min Jewellery, costume jewellery, small objects
ClearWater Epoxi Super Fast Up to ~1 cm 100:100 ~15 min Fast production, short runs
ClearWater Deep Pour Up to 12 cm 100:33 Variable River tables, blocks, large formats
ClearWater Doming Flexible Thin layer 100:30 25 min Flexible doming, labels, jewellery
ClearWater Doming Rígida Thin layer 100:30 25 min Rigid doming, hard finish
Epofer EX201+E202 Top coat 100:60 25 min Final coating for jewellery

Frequently asked questions about resin encapsulation and decoration

What epoxy resin should I use to encapsulate dried flowers?

For dried flowers the most common approach is to combine two resins: first a thin layer of ClearWater Epoxi as a base to fix the flower in position, and then one or more layers of the same resin to complete the encapsulation. If the object is more than 2 cm tall, ClearWater Deep Pour lets you finish the job in a single pour without the risk of thermal distortion.

Can I colour a transparent epoxy resin without losing clarity?

Yes, as long as you use dyes formulated for resin and add them in the right proportion. UltraColor and Piñata are translucent dyes that maintain the visual depth of the resin. If you want a metallic effect without losing shine, Pearl Ex or Magic Powder are a good option. Avoid adding more than 3–5% pigment of the total mix so as not to alter the mechanical properties.

How do I get rid of air bubbles in an epoxy resin pour?

Bubbles are generated mainly during mixing. To minimise them, mix slowly with circular movements and scrape the sides of the cup. If you have a vacuum chamber, degas the mix before pouring. An alternative method is to apply gentle heat with a heat gun or bookbinding torch during the first few minutes after pouring: the heat reduces the viscosity of the resin and the bubbles rise and burst at the surface. With ClearWater Deep Pour this step is especially important due to the large volume of mix.

Does epoxy resin yellow over time?

All epoxy resins have some sensitivity to UV rays, although modern formulations include inhibitors that noticeably delay yellowing. To maximise the lifespan of your pieces, avoid direct and prolonged exposure to sunlight. If the object is going to be in a shop window or outdoors, apply a final coat of UV-filter varnish. Epofer Carbon 402 already incorporates a UV filter in its formulation.

What is the difference between flexible and rigid doming?

The flexible version is softer once cured (approximately Shore A65) and absorbs knocks and impacts better, making it suitable for frequently worn jewellery or surfaces that flex. The rigid version achieves greater hardness and offers better scratch resistance, making it the preferred choice for signage, badges and permanent labels.

Do I need release agent to use silicone moulds with epoxy resin?

Generally, no. Platinum silicone moulds do not bond to epoxy resins and allow demoulding without additional agents. If you find the piece resists demoulding — especially with geometries featuring long vertical walls — a light application of petroleum jelly or carnauba wax is sufficient. Never use silicone-based release sprays on silicone moulds, as they can leave residues that affect the curing of subsequent pours.

How do I achieve a mirror-bright finish on my resin pieces?

The polishing process has three phases: first sand the surface with wet-and-dry paper progressing from grit 400 to 2000; then apply PolarShine 35 with a cloth or polisher to remove sanding marks; next use PolarShine 10 to refine; and finish with PolarShine 5 for the final mirror finish. If the piece comes straight from the mould with no surface defects, you can skip the sanding and go directly to PolarShine 10.

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