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Skin Illustrator Glazing Gels
24,20 € Tax incl.
Skin Illustrator Glazing Gels are a collection of water-based translucent gels designed to create SFX makeup effects directly on skin: bruises, redness, wounds, burns, freckles and skin conditions with a realism that withstands scrutiny from 4K cameras and above. Their translucent formulation makes colour visually integrate within the skin, not on top of it, making them an indispensable tool for film, television and professional theatre makeup artists.
Technical specifications
| Feature | Detail |
|---|---|
| Base | Water |
| Finish | Transparent / translucent |
| Format | Individual 30 ml container |
| Application | Directly on skin |
| Compatibility | Combinable with Skin Illustrator palettes and other products in the range |
| Resolution | Suitable for 4K and higher recording and broadcast |
| Intended use | Film, television, theatre, SFX makeup effects |
What they are used for
Glazing Gels are formulated to simulate the appearance of injuries and skin conditions with a visual depth that opaque makeups cannot match. Being translucent, they allow the natural texture of the skin to remain visible beneath the effect, which is completely convincing even in extreme close-ups.
- Bruises and haematomas with natural colour gradients
- Redness, irritations and skin reactions
- Surface wounds and traumatic injuries
- Sunburn and erythema
- Freckles, spots and birthmarks
- Skin conditions: rosacea, couperose, rashes
- Shadows and depth in facial character makeup effects
- Complement to Skin Illustrator Flesh Tone palettes for toning and glazing base colours
How to use
- Prepare the skin: clean and dry the work area. Oil-free skin improves the adhesion and durability of the gel.
- Apply the gel directly onto the skin with a brush, sponge or fingertip depending on the desired effect. For bruises, work in thin layers with a fan brush or makeup sponge.
- Blend the edges while the gel is still wet to achieve smooth, natural transitions between the effect and the surrounding skin.
- Layer colours from different Glazing Gels to build chromatic depth. Yellow, green, purple and red tones combined accurately mimic the real evolution of a bruise.
- If you need to add localised opacity, combine the Glazing Gel with colours from the Skin Illustrator Complexion or Dark Fleshtone palettes to blend the effect with the actor's skin tone.
- Allow to dry completely before setting. For a matte, camera-ready finish, set with HD Matting Spray Clear or choose the appropriate shade (Shinto / Mocha) to match the actor's skin tone.
- To remove the product, use water and mild soap or a water-based makeup remover.
Usage tips
Work in thin layers
The key to Glazing Gels is layering. Always apply thin coats and allow to dry between them. The more layers, the greater the saturation and visual depth. A thick single-pass application tends to crack as it dries and loses the translucent effect that makes the result convincing.
Mix colours for more realistic effects
A real bruise is not a single colour. Start with the deepest areas using purple or blue tones, add reds and pinks at the intermediate edges, and finish with yellows or greens at the periphery to simulate the absorption of the haematoma. This chromatic gradient technique is what makes the difference on high-resolution camera.
Combine with matte setting sprays for maximum on-set durability
Glazing Gels are water-based, which makes them sensitive to sweat and contact during filming. Applying a setting spray such as HD Matting Spray Clear once the effect is dry considerably extends its duration and eliminates any residual shine that the water base may leave on screen.
Frequently asked questions
Are these gels safe to apply directly on skin?
Yes. Skin Illustrator Glazing Gels are specifically formulated for cosmetic and professional makeup use on skin. Their water base makes them well tolerated by most skin types. As with any cosmetic product, it is advisable to perform a patch test on a small area before applying to larger areas, especially on sensitive skin.
Can they be used over silicone or latex prosthetics?
Yes, Glazing Gels can be applied over silicone or latex prosthetics to add colour and glaze the finish of the piece. On porous surfaces such as latex, absorption may be greater, so it is advisable to apply thinner layers and monitor the result progressively. To blend the prosthetic with the actor's skin, combine them with the Skin Illustrator Flesh Tone palettes according to the skin tone.
How long does the effect last without touch-ups?
Durability depends on factors such as the actor's perspiration, skin type and set conditions. Under normal conditions, the effect holds well for several hours. To maximise durability, apply on clean, grease-free skin, allow each layer to dry completely and set with a setting spray such as HD Matting Spray.
How is this type of makeup removed?
Being water-based, Skin Illustrator Glazing Gels are easily removed with water and mild soap or with any makeup remover formulated for water-based products. No solvents or harsh products are required.
Can different Glazing Gel colours be mixed together?
Yes, the colours in the Glazing Gels range are completely miscible with each other. You can mix them on a palette before applying or layer them directly on the skin to build complex chromatic effects. This versatility makes them a very flexible system for recreating injuries at different stages of development.
Are they suitable for high-definition television and film?
Yes, they are specifically designed to withstand scrutiny from 4K and higher high-definition cameras. Their translucent formulation integrates the effect visually within the skin rather than creating an opaque layer on top of it, resulting in a completely natural appearance even in extreme close-ups.
What sets these gels apart from a conventional makeup palette?
The fundamental difference is translucency. Conventional SFX makeup palettes apply colour in a more opaque way, which can look artificial in high definition. Glazing Gels act as colour glazes: they allow the natural texture and relief of the skin to show through beneath the effect, creating the illusion that the effect is within the skin. They are frequently used in combination with Skin Illustrator Complexion palettes to achieve more complete results.
How much product does each container include?
Each container holds 30 ml of gel. Since the product is applied in thin layers, one container allows you to work through many sessions before it runs out, especially when used as a glazing element and complement to other products in the range.