Skin Illustrator On set Mardi Grass
77,44 € Tax incl.
The Skin Illustrator Mardi Gras palette is a collection of 10 high-saturation alcohol-activated pigments, designed for clown and mime characterisations, carnival body makeup, festivals, and looks inspired by the psychedelic aesthetic of the 60s and 70s. Compatible with natural skin, silicone and latex prosthetics, and mixable with any other Skin Illustrator palette to expand your colour range without limits.
Technical specifications
| Feature | Detail |
|---|---|
| Product type | Alcohol-activated makeup palette (alcohol-activated) |
| Number of colours | 10 |
| Version | On Set (professional on-set filming formulation) |
| Compatible surfaces | Skin, silicone, latex |
| Required activator | 99% isopropyl alcohol, Skin Illustrator Activator or Skin Illustrator Slow Activator |
| Application tools | Brush, sponge, mascara wand |
| Miscibility | Mixable with any colour in the Skin Illustrator range |
| Intended use | Professional SFX makeup, theatrical characterisation, carnival, body painting |
What it is used for
The Mardi Gras palette is geared towards intense and unconventional colour work. Its exotic chromatic range makes it the go-to reference for any job requiring maximum visual impact:
- Full clown and mime characterisation for theatre, film and television
- Face and body painting for carnivals, themed parties and music festivals
- Psychedelic and fantasy looks inspired by the 60s and 70s
- Temporary tattoos and artistic body painting
- Direct painting on silicone and latex prosthetics for special effects
- Mixing with other Skin Illustrator palettes (FX Palette, Flesh Tone Palette) to create custom shades
How to use it
- Make sure the surface (skin, silicone or latex) is clean, dry and free of grease or product residue.
- Moisten the brush, sponge or wand with 99% isopropyl alcohol, Skin Illustrator Activator or Skin Illustrator Slow Activator. Never use 70% alcohol, acetone, MEK or water: they alter activation and can damage the product.
- Lightly touch the surface of the pigment with the damp tool until you pick up the desired amount of colour.
- Apply to the surface with light strokes. For greater coverage, work in thin layers allowing brief drying time between each coat.
- Blend colours directly on the palette or on the surface to achieve intermediate shades. The Mardi Gras palette is fully compatible with all other Skin Illustrator palettes.
- Once the characterisation is complete, set if necessary and check the result under set lighting.
- For removal, use a dedicated alcohol makeup remover. Avoid dry rubbing to prevent skin irritation or damage to the prosthetic.
Usage tips
Control the amount of activator
Colour consistency depends directly on how much activator you load onto your tool. With less activator you will get denser, more opaque pigments; with more activator, translucent glazes perfect for shading and gradients. Practise on the back of your hand before applying to the actor or model.
Work in layers for greater intensity
Mardi Gras colours are already highly saturated, but if you need full coverage on specific areas (for example, the white face of a clown), apply several thin layers allowing the alcohol to evaporate between each one. This prevents the underlying layer from reactivating and mixing in an uncontrolled way.
Palette cleaning and maintenance
Keep the pigments sealed when not in use to prevent them from drying out or becoming contaminated. If a colour has residue from a previous session, gently scrape it with a clean spatula before reactivating. Do not use water or harsh solvents on the palette; a cloth lightly dampened with 99% isopropyl alcohol is sufficient to clean the edges between colours.
Frequently asked questions
What activator should I use with this type of alcohol makeup?
Always 99% isopropyl alcohol, Skin Illustrator Activator or Skin Illustrator Slow Activator. 70% alcohol contains too much water and causes incorrect activation, leaving the pigment pasty with reduced adhesion. Acetone and MEK damage both the product and any prosthetics you may be working on.
Can it be used on silicone prosthetics without prior preparation?
Yes. The Mardi Gras palette is formulated to adhere directly to silicone. However, make sure the prosthetic is clean and free of any release agent or grease residue, as any surface contamination reduces pigment adhesion.
Can these colours be mixed with other palettes?
Yes, all colours in the Skin Illustrator range are compatible with each other. You can combine the Mardi Gras palette with the Flesh Tone Palette, the Complexion Palette, the Dark Fleshtone Palette or the FX Palette to expand the available range of shades practically without limit.
How long does the makeup last without touch-ups on set?
The On Set version is specifically formulated to withstand filming conditions: heat from lights, moderate perspiration and long shooting days. Durability depends on the application area and the actor's activity, but under normal set conditions it does not require continuous touch-ups. For high-mobility areas (mouth, eyes), work in layers and consider using a dedicated setting product.
Is it safe for sensitive skin or prolonged use?
Skin Illustrator pigments are developed for professional use on skin. For very sensitive or allergy-prone skin, it is always recommended to perform a patch test on a small area (inner arm) before full application. The isopropyl alcohol used as an activator can be drying with very prolonged exposure; moisturise the skin after removing the makeup.
How is it correctly removed?
Use a dedicated alcohol makeup remover. Apply it to the area with a cotton pad or gauze, allow it to act for a few seconds and remove without rubbing hard. The same procedure is valid for silicone or latex prosthetics, but avoid leaving the remover in prolonged contact with the prosthetic material.
Can this palette be used for body painting at festivals or carnival?
Yes, it is one of its main uses. Mardi Gras colours are especially designed for face and body painting at carnivals, festivals and fantasy events. Being an alcohol makeup, it offers greater staying power than conventional water-based paints, which is particularly useful in hot or active environments.
What tools are most suitable for applying these colours?
Synthetic hair brushes (for precise strokes and detail work), makeup sponges (for broad base coverage and gradients) and recycled mascara wands (for textures and splatter or stencil effects). Each tool gives a different finish, so combine them according to the effect you are looking for.