Skin Illustrator Single Pots are individual jars of alcohol-based dry colour, formulated with approximately 60% more pigment than a single pan from a full Illustrator palette. The wide-mouth circular format allows comfortable and precise work with brush or sponge, and the compact container fits in your pocket during filming or on set. They are the ideal solution when you need a specific shade in larger quantities without duplicating an entire palette.
Technical specifications
| Feature |
Detail |
| Pigment type |
Dry pigment activated with alcohol |
| Content vs. palette |
~60% more product than a single pan from a full-size palette |
| Format |
Wide-mouth circular jar |
| Application |
Brush or sponge |
| Removal |
Telesis Super Solv or Telesis Makeup Remover |
| Compatibility |
Compatible with the entire Skin Illustrator range |
What they are used for
Single Pots are designed for professional makeup artists, special effects and character make-up professionals who need a specific colour in sufficient volume for long productions, full-body sessions or work that demands large quantities of a single shade. They are the perfect complement to any Skin Illustrator palette when one colour runs out before the others.
- Special effects makeup (wounds, burns, ageing, prosthetics)
- Theatre and TV character make-up requiring large amounts of a single shade
- Body painting sessions or extensive skin coverage
- Extended shoots where a specific colour is consumed quickly
- Restocking a single shade without buying a full palette
- Working on foam latex, silicone or gelatine prosthetics painted with the Illustrator range
How to use
- Select the Single Pot shade you need and make sure the skin or prosthetic is clean and dry.
- Lightly dampen a brush or sponge with 99.9% isopropyl alcohol to activate the dry pigment.
- Load the brush directly from the wide mouth of the jar, picking up just the right amount to avoid build-up.
- Apply to the surface with gentle strokes, building colour in thin layers and allowing each layer to dry briefly before applying the next.
- Blend and feather the edges with a clean, lightly dampened brush to achieve natural transitions.
- Combine with other shades from the Skin Illustrator Flesh Tone Palette or any other palette in the range to adjust and personalise the result.
- To remove the makeup, apply Telesis Super Solv or Telesis Makeup Remover with a sponge or cotton pad and gently wipe away.
Tips for use
Control the amount of alcohol
The most common mistake is saturating the brush with too much alcohol. Skin Illustrator dry pigment needs very little moisture to activate: a barely dampened brush gives more control, better coverage and prevents the colour from spreading uncontrollably or forming halos as it dries.
Work in thin layers
Colour intensity builds with each layer. It is far easier to add pigment than to remove it. Start with transparent layers and gradually increase saturation, especially when working on prosthetics or skin with uneven textures.
Keep the jar clean between uses
Always insert a clean or lightly dampened brush into the jar to avoid contaminating the pigment with traces of other colours or excess alcohol. If the pigment becomes compacted over time, simply break the surface with a clean spatula to restore its original texture. Keep the jar closed and away from direct light to extend its shelf life.
Frequently asked questions
What activates this type of dry pigment?
Alcohol-based dry pigments like Skin Illustrator Single Pots are activated with 99.9% isopropyl alcohol. The purer the alcohol, the cleaner and more predictable the activation. Avoid pharmacy-grade alcohols with low concentrations, as the water they contain slows drying and can affect adhesion.
Can it be used on silicone or foam latex prosthetics?
Yes. The Skin Illustrator range is specifically designed for painting on special effects prosthetics, including foam latex, silicone and gelatine. Single Pots are especially useful when you need large quantities of a base shade to cover sizeable prosthetics.
How long does the makeup last once applied?
Once dry, alcohol-activated pigment is resistant to sweat and moderate contact. Under normal filming or stage conditions it holds up for a full day without significant touch-ups. Factors such as intense heat, excessive humidity or continuous physical contact can reduce durability, in which case a quick touch-up with the corresponding Single Pot resolves the situation in seconds.
Is it compatible with Skin Illustrator range palettes?
How is this makeup removed from skin?
Skin Illustrator makeup is removed with Telesis Super Solv or Telesis Makeup Remover, applied with a sponge or cotton pad. Do not attempt to remove it with water and soap alone, as the product's water resistance requires a specific solvent for comfortable removal without irritating the skin.
How much product does each jar contain compared to a full palette?
Each Single Pot contains approximately 60% more pigment than a single pan from a full-size Skin Illustrator palette. This makes it the most efficient option when a specific colour becomes the star of a job and you need to make sure you don't run out mid-session.
Can it be applied directly to sensitive skin, or should a patch test be done first?
As with any cosmetic artistic makeup product, it is advisable to perform a patch test on a small area of skin at least 24 hours before full application, especially for people with sensitive skin or a history of cosmetic allergies. If any reaction occurs, discontinue use.
