The Skin Illustrator Greg Cannom Limited Edition Palette is a limited edition alcohol-activated makeup palette, designed in collaboration with one of the most celebrated special effects makeup artists in cinema history. With 10 colors of exceptional coverage and durability —including three exclusive shades created by Greg Cannom—, this palette is built for professional work on skin, silicone and latex, across film, television, theatre and advanced special effects.
Technical specifications
| Product type | Alcohol-activated makeup palette |
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| Number of colors | 10 (includes 3 exclusive colors designed by Greg Cannom) |
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| Edition | Limited |
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| Compatible surfaces | Skin, silicone, latex |
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| Recommended activator | 99% isopropyl alcohol or Skin Illustrator Activator / Slow Activator |
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| Removal | Telesis Super Solv or equivalent |
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| Not recommended | 70% alcohol, MEK, acetone, water |
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What it's used for
This palette is designed for special effects makeup artists, character makeup artists and film and television artists who need colors with high chromatic fidelity and long-lasting wear. The alcohol-activated formula delivers exceptional adhesion on prosthetics and real skin, with coverage that resists sweat, heat and movement.
- Character makeup for film and television productions
- Painting silicone and latex prosthetics to blend seamlessly with skin
- Special effects makeup for theatre and stage
- Creating aging effects, wounds, bruises and color alterations
- Detail painting on prosthetics already applied to the actor
- Retouching and unifying tones between prosthetics and natural skin
- Work on foam latex and encapsulated silicone prosthetics
How to use it
- Make sure the surface (skin, silicone or latex) is clean, dry and free from grease or adhesive residue.
- Dampen a fine brush or sponge with 99% isopropyl alcohol, Skin Illustrator Activator or Slow Activator. Never use 70% alcohol, water, MEK or acetone.
- Touch the color in the palette with the damp brush and pick up the required amount. Activation transforms the dry pigment into a fluid, workable ink.
- Apply to the surface with soft brushstrokes, building up thin layers to achieve the desired tone and coverage. Allow each layer to dry before applying the next.
- Mix colors directly in the palette or on the skin to achieve custom shades.
- Once the work is complete, remove the makeup with Telesis Super Solv or an alcohol-based makeup remover, avoiding excessive rubbing on delicate prosthetics.
Usage tips
Controlling activation
The amount of activator determines the fluidity and opacity of the color. Less activator gives a denser, more opaque texture, ideal for solid bases. More activator creates glazes and subtler color transitions. Practice on the palm of your hand or a test surface before working on the final prosthetic.
Thin layers and drying between steps
The key to a professional finish with alcohol-activated makeup is to apply very thin layers and allow each one to dry completely before the next. Thick layers can crack or lose adhesion. If you need more coverage, build up progressive layers. A cool-air dryer can speed up the process between applications.
Palette maintenance
Store the palette closed, away from direct light and heat. If the colors harden over time, reactivate them with a drop of activator directly onto the dry pigment. Do not wet the palette with water or low-grade alcohols, as these can damage the formulation and cause pigments to lose adhesion on silicone and latex.
Frequently asked questions
Can this type of makeup be used directly on sensitive skin?
The Skin Illustrator Greg Cannom Palette is formulated for professional use in film and television, including contact with skin. However, for individuals with very sensitive skin or those prone to alcohol allergies, a patch test on a small area is recommended before full application. Always check the model's or actor's history before working.
Which activator should I use for best results?
The best results are achieved with Skin Illustrator Activator, Skin Illustrator Slow Activator (ideal for work requiring more blending time) or 99% isopropyl alcohol. Never use pharmacy-grade 70% alcohol, water, MEK or acetone, as these do not correctly activate the formula and can damage the result or the prosthetic.
Does this makeup work on silicone without prior preparation?
Yes, the Skin Illustrator Greg Cannom Palette adheres directly to cured silicone, both on encapsulated silicone prosthetics and silicone foam. To improve adhesion and durability, make sure the surface is completely clean and free from release agent residue, oil or dust before painting.
How is this makeup removed at the end of a shoot?
It is easily removed with Telesis Super Solv or a professional alcohol-based remover. Apply the remover to the painted area, allow it to work for a few seconds and wipe away with a gauze pad or soft cotton. Avoid rubbing hard on silicone or latex prosthetics to prevent damage or alteration of the surface texture.
Can it be mixed with colors from other palettes in the same range?
How long does the makeup last during a long shoot?
Once activated and dry, Skin Illustrator makeup offers exceptional resistance to sweat, heat and movement, making it the standard choice on film and television productions with long shooting days. For extreme conditions, a compatible sealer can be applied to extend durability even further.
Is this palette suitable for use on foam latex?
Yes. The Skin Illustrator Greg Cannom Palette is compatible with foam latex and conventional latex. Apply color in thin layers and allow each to dry before the next to ensure good adhesion and prevent the makeup from cracking when the prosthetic flexes.
Is this a continuous production palette or a limited edition only?
It is a limited edition designed in collaboration with Greg Cannom, making it a collector's item within the Skin Illustrator line. For general-use tones and continuous restocking, complement your kit with the standard palettes from the range available in the Feroca catalogue.
