The Skin Illustrator On Set Greg Cannom Pink Beige 3 palette is a collection of six oil-based makeup colours based on William Tuttle's original cream and wax formulas, reformulated and refined by makeup artist Greg Cannom throughout his career on over 150 film productions. Designed to work on skin, silicone and latex, it is an essential tool in any special effects and professional character makeup kit.
Technical specifications
| Product type | Oil-based makeup (cream/wax) |
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| Number of colours | 6 |
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| Colours included | Dark Beige, Medium Beige, Medium, Medium Dark Beige, Light Beige, Light Peach |
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| Compatible surfaces | Human skin, silicone, latex |
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| Collection | On Set Signature — Greg Cannom (PM Colors) |
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| Application method | Brush, sponge, mascara wand |
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| Setting | Compatible with HD Matting Sprays for long-lasting hold |
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What it's used for
This palette is designed for professional special effects makeup artists, theatrical and film character makeup. The six pink-beige shades allow you to work on both skin matching and subtle colour transitions on prosthetics and silicone or latex surfaces.
- Skin tone matching on silicone and latex prosthetics
- Character makeup and special effects for film and television
- Detail painting on foam latex and platinum silicone pieces
- Edge correction and blending on facial prosthetics
- Full body makeup for theatrical productions and photography
- Mixing custom shades for different skin types
How to use it
- Prepare the surface: make sure the skin, silicone or latex is clean, dry and free of grease.
- Load the brush or sponge by picking up a small amount of colour directly from the palette; these products are highly pigmented and require very little product.
- Apply in thin, sheer layers, building up coverage gradually for greater tone control.
- Blend colours directly on the surface or on the palette to achieve the exact shade you need.
- Once the desired finish is achieved, set with a compatible matte spray (HD Matting Spray) to prevent smearing and extend wear.
- To remove the product from skin, use 99.9% isopropyl alcohol or a suitable oil-based makeup remover.
Usage tips
Work in thin layers
Skin Illustrator oil-based makeups have a high pigment load. Applying too much product at once produces unnatural finishes and makes blending difficult. Build up coverage in very thin layers, letting each one integrate before adding the next. This gives you more convincing transitions, especially at prosthetic edges.
Mix and customise shades
The six colours in the palette are designed to be used both individually and combined with each other. You can mix them directly on the skin or on a palette paper before applying. They are also compatible with other Skin Illustrator range palettes, such as the Flesh Tone or the Complexion, which greatly expands the range of shades you can achieve.
Palette cleaning and maintenance
To clean colours between mixes and keep each shade pure, use a clean spatula before each pick-up. If the palette surface builds up residue or mixed colours, remove them with a cotton swab lightly dampened with 99.9% isopropyl alcohol. Store the palette closed and away from direct heat to prevent colours from softening or losing consistency.
Frequently asked questions
Is this type of makeup suitable for use directly on skin?
Yes. The Skin Illustrator On Set Greg Cannom Pink Beige 3 palette is formulated for direct application on human skin, as well as on silicone and latex. It is the same line used by professional film makeup artists on sets with prolonged contact with actors.
How long does the makeup last once applied?
Longevity depends on the user's activity level and perspiration. For maximum hold and to prevent smearing, it is recommended to use an HD matte spray as a final setter. With this combination, colours remain stable throughout an entire shooting day.
Can it be used on platinum silicone prosthetics?
Yes, this is one of its primary applications. The Pink Beige 3 palette colours adhere correctly to cured platinum silicone, making them ideal for painting facial prosthetics, artificial wounds and other special effects on silicone pieces.
How is this type of oil-based makeup removed?
To remove the product from skin, the most effective method is an oil-based makeup remover or 99.9% isopropyl alcohol, which removes residue without leaving any trace. On silicone or latex surfaces you can also use isopropyl alcohol with a cotton swab or soft cloth.
Can the colours in this palette be mixed with those from other Skin Illustrator palettes?
Yes. The entire Skin Illustrator range shares the same cream/wax base, so the Pink Beige 3 palette colours are fully compatible with other palettes in the line, such as the Flesh Tone, the Complexion or the Dark Fleshtone. This allows you to greatly expand the range of available shades.
What are the most suitable application tools?
The colours in this palette can be applied with a brush (flat or cat's tongue for detail areas), a makeup sponge for large surfaces, or a mascara wand for small, precise areas. The choice depends on the desired effect and the area being worked on.
Is it suitable for sensitive skin or use on children?
The Skin Illustrator palette is designed for professional use in audiovisual productions. Although its formula is intended for skin contact, for people with sensitive skin or young children it is advisable to perform a patch test on a small area before full application, and to consult with the team's makeup supervisor.
Do I need a specific product to set the result?
It is not strictly necessary, but highly recommended for long shoots or performances. The Pink Beige 3 palette colours, combined with an HD Matting Spray, will not fade or transfer and hold up perfectly throughout the entire working day.
